![]() In the 1980s the feature production was diversified under the new autonomous system and films based in the local traditions were produced, such as The Magic Pumpkin ( Juan Bautista Berasategi, 1985) in Euskadi and Despertaferro (Jordi Amorós, 1990) in Catalonia. Cruz Delgado, a Moro animator, created his own studio and directed Magical Adventure (1973), while Manuel García Ferré, who had moved to Argentina, created there features such as The Adventures of Hijitus (1973) and Trapito (1975).Īt the later stages of this period underground animation took shape, including the first abstract direct cameraless feature ever, José Antonio Sistiaga's Ere erera baleibu icik subua aruaren (1970), and during the transition to democracy the first Spanish feature restricted for adults was released: Stories of Love and Massacre (1979). ![]() Estudios Moro and Estudios Vara produced the main features in subsequent stages of the Francoist era: The Wizard of Dreams (1966) and The Wardrobe of Time (1971). Through the 1950 new companies were created. Its production company, Balet y Blay, made two more features: Happy Vacations (1948) and The Dreams of Tay-Pi (1952). ![]() It was a fairy tale where an orphan child loosely based in Don Quixote has to save his friends from a giant with the help of his fairy godmother and goat. Spain's first animated feature, Garbancito of La Mancha (1945), was the first European cel-animated and non-American color one, using Dufaycolor. It seemed to catch on, and three films ( El intrépido Raúl, Pipo y Pipa en busca de Cocolín and Arte, amor y estacazos) were created by different teams in the following year's first months, but the Civil War's outbreak put a halt to all animated productions.įeature films Classic era Stop-motion was introduced in Spanish animation by Salvador Gijón in 1935, with Sortilegio vacuno and Españolada. By then other cartoonists were experimenting with animation on their own, like José Escobar with La rateta que escrombrara l'escaleta. En los pasillos del Congreso, a satire of the Second Republic's politics, was left unfinished. The company outlived him briefly, producing three more films: El rata primero, Francisca, la mujer fatal and Serenata. In 1932 Xaudaró founded SEDA, the first animation production company in the country, and the directed its first film, Un drama en la costa, which turned out to be his last film as he died in 1933. Starting in 1917 with La apertura de las Cortes: Dato no entiende de indirectas animated sketches were included in newsreels, and that same year Joaquín Xaudaró, the best known Spanish animator from the interwar period, made his first film, Las aventuras de Jim Trot, and in 1920 he created the first Spanish sci-fi-themed animated film, La fórmula del Doctor Nap. They were immediately followed by other shorts, including political satires. For a long time El toro fenómeno ( Fernando Marco, 1917), which was lost, was considered the first Spanish animated production, but nowadays El apache de Londres, also lost, is thought to date from 1915, and thus the centenary of Spanish animation was held in 2015. Segundo de Chomón is considered the pioneer of Spanish animation, with the stop-motion shorts he made in France for Pathé starting with La maison hantée (1907).Īn animated sequence within family footage on the First Communion of a child called Mercedes Cura is thought to be the first piece of animation made in Spain. Ilion Animation Studios / production coordinator: surfacing.Spanish animation refers to animation made in Spain. Ilion Animation Studios / production coordinator: modeling. Ilion Animation Studios / production coordinator: matte painting. Ilion Animation Studios / production coordinator: effects. Stereoscopic supervisor: Telson (as José María Aragonés) Lighting assistant (as Juan Pablo Acosta) / render wrangler (as Juan Pablo Acosta)Ĭharacter texturing artist / lighting artist ![]() Visual Effects by Juan Pablo Acosta Duarte Technical director: Best Digital (as Víctor Castillo)ĭialogue editor: Filmigranas (as Jaime F. Re-recording mixer (as Nicolás de Poulpiquet) Sets and props supervisor (as Fernando Huélamo)Ĭharacter art designer / storyboard artistĪrt: sets and props (as Raúl Morales 'Neko') / matte painterĪdditional art: sets and props (as Julián Romero)Īssistant sound editor: Filmigranas (as Alberto Abengozar) ![]() Second Unit Director or Assistant Director Fernando Manso Losantos Production manager: Zeta (as Laura Oliva Lerín) Line producer: Ilion (as Julián Larrauri) Delegate producer (as Eneko Gutiérrez Sola) ![]()
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